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Allison Scagliotti, Saul Rubinek, Eddie McClintock
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Warehouse 13


On July 11th one of Syfy's most successful series ever, Warehouse 13, returned for its third season. After saving the life of the President, two Secret Service agents find themselves abruptly transferred to Warehouse 13 -- a massive, top-secret storage facility in windswept South Dakota that houses every strange artifact, mysterious relic, fantastical object and supernatural souvenir ever collected by the U.S. government.

The Warehouse's caretaker Artie (Saul Rubinek) charges Pete (Eddie McClintock) and Myka (Joanne Kelly) with chasing down reports of supernatural and paranormal activity in search of new objects to cache at the Warehouse, as well as helping him to control the warehouse, itself. Claudia (Allison Scagliotti) is the young, hip, brilliant techno-wiz who manages to successfully breach the Warehouse's complex security system in order to track down Artie.

PCM participated in a conference call with Saul, Eddie and Allison to learn more about this highly anticipated third season, in-depth perspectives about their characters, and the progression of the show.

Question: Without giving away any spoilers to the upcoming season, I'm wondering if you can each describe the direction your characters seems to be heading this season?

Saul Rubinek: Without giving up the spoiler, oh, okay, well I was planning to spoil everything, but if you don't want to, okay, all right. So, Eddie, how deep do we get into Pete Lattimer's character this season?

Eddie McClintock: We kind of get an insight to the people that really influenced him when he was a kid, kind of who made him who he is. We find out more about his dad. We find out more about his mother. And so we really actually - I can't remember the name of the episode, but my storyline is pretty much centered around Pete's past. So we're going to get to find out what made him the way he is.

Allison Scagliotti: Well Claudia's arc is always sort of mirrored my personal arc. This season she finally got a peer in the Warehouse in the Steve Jinks character and they developed a really close, great friendship, an almost brother-sister dynamic. Claudia is contributing in the technical field as always, building tesla grenades and periscopes in the Warehouse and whatnot. But more than anything, she just sort of is figuring out what it means to be a part of the team which I'm figuring out along the way, what does it mean to be part of this team that makes television show every week.

That's right, that's right. So sort of wanting to be respected and, you know, just figuring out her purpose there and her function there and also dealing with her past. I think we touched on what was mentioned in Season 1 which is Claudia's time in a mental institution which is obviously emotional and a touchy subject. But it's been cool to explore as an actor and I've had a really wonderful time flushing that out this season.

Saul Rubinek: Well, third season, there - they can take some chances in where they might not have wanted to right away, they wanted people to get to know the characters. So there - they can play a little bit. We can go off character a little bit. We all get a chance to be kind of bizarre versions of ourselves in some way or another because of - certainly I do because of artifact-related incidents.

And the writers got a chance to have a little bit more fun. They know that they've got a core audience. They know that the show is successful, that their tone and their storylines have been on the right track, that for the most part, we're getting incredibly positive responses from people. We have a lot of fun. And I think that what's going on is, you know, we're not searching, "How can we make this show work?" We're not part of a group of people trying to figure out how to stay on the air.

We're trying to give the fans more of what they already like. We're really - this is the kind of show I would watch with my family. So it's really entertaining show. It's really unpredictable and it continues to be that way for my character certainly. I think that you get to find out how Artie fits into the Warehouse hierarchy with a little bit more depth. They continue to deal - as writers of the show, they've allowed the show to explore the mythology and the regions and even by putting, you know, life and death situations into the hierarchy of how the Warehouse operates. They're allowing themselves to explore this world as it really existed and looking at the intricacies of it. That's really fun for fans. It's fun for us. We - honestly, we get scripts. We're very lucky that we read through them two days before we go into production. We have a read through around the table with some guest casts if they're available and we're listened into by network and studio.


Question:
My question is you're well into Season 3 now, you've done a lot of episodes. Can you tell me what your favorite episode has been so far?



Allison Scagliotti:
My favorite happens right in the middle of the season, it's episode six, called Don't Hate the Player. And this episode has everything. It's probably our most absurd, to date, I think in the history of Warehouse. There are sort of Tron-meets-Dungeons-and-Dragons episode with an amazing guest cast. We all plus get to do crazy things and play sort of heightened versions of ourselves and also very different versions of ourselves. And that's the episode that heralds the return of Mr. (Neil Grayson) to Warehouse 13.

Eddie McClintock: I would say Don't Hate the Player is definitely one of my favorites in the - of the season. It's things like that just start being - they just started being done on television. The fact that we got it by the network and they let us make the show, it speaks a lot towards the amount of confidence that they have in our writers and our show runner and Jack Kenny and us as actors to pull this off. It was so much fun and like Allison said, there's really some absurd stuff but it's actually funny. It's not just silly and stupid. It's stuff that will make you laugh which obviously is always very important.

My other favorite would be, there's an episode called Love Sick where I had to play being drunk and - and for quite a bit of it and it's always - I've only had to maybe do that one other time. But it was really challenging for me to walk the line between someone playing drunk and someone who's actually looks the part.

So because that was a big challenge for me as an actor, I'll be interested to see how it turned out. And I hear that it turned out okay. So I guess the payoff is that it's always nice when you're trying to convey something and you're able to actually do that. So those were my two favorites, I'd say.

Saul Rubinek: And that episode, Love Sick, was one of my favorites too and the other one too that you mentioned, Don't Hate the Player, I got to play a kind of Artie - you know, as if he were doing a Monty Python movie. And it was an offshoot of Artie. And in Love Sick, Artie's bedroom is introduced and it's an extraordinary set; gets used a couple of times during the season. Terrific times.

But what - this is an opportunity and I think Allison and Eddie will join in is to talk about the unsung hero. We've sung praises of Jack Kenny and our co-stars and how well we get along and we have wonderful guest stars. But the unsung hero of our series is really Franco De Cotiis, who is our production designer who is a magician, who has created a look for this show that I will - I really believe he should be nominated for an Emmy. I think it's - cable is a little harder. There are less viewers and it's a little tougher to get nominations, but if anybody deserves to be recognized in a television industry at the moment, for my money, after 30 years of doing television, I'm looking at great designers and even in feature - in the feature world, there are very few people who can do what he can do on a budget that he's got.

The fans are getting a master craftsman who is doing masterpieces. He's doing - he's an incredible team, he's got great art director, he's got great set decorators, people who love the show, every prop, every - that he supervises, all the design, the costumes by Joanne Hansen, every aspect of the show on the design front is one of the, not talked about by you guys in the press much, and understandably, you know, we're out there, these characters are interesting, there's great storylines and we got great artifacts and the fantasies and adventure part of it is really fun.

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